Antique book alchemy cabalistic magic occult grimoire manuscript latin language

Antique-book-alchemy-cabalistic-magic-occult-grimoire-manuscript-latin-language-01-ezlt Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique book alchemy cabalistic magic occult grimoire manuscript latin language

Antique book alchemy cabalistic magic occult grimoire manuscript latin language
Antique witchcraft ALCHEMY book” VOUARCADUMIA” – THE MOST IMPORTANT ALCHEMY BOOK…. RARE AND UNOBTAINABLE BOOK very rare. COMING FROM VATICAN ARCHIVE!! Copy from original book-secret document Antiquarian & collectible book. + GIFT HANDMADE TALISMAN, artcraft in Italy, created of a witch! 120 page in LATIN LANGUAGE perfectly legible. Big format print 20 x 30 cm. Manual binding Original texts of a witchcraft case. Coming from a important collection of occult books & SECRET SOCIETY. This is NOT science fiction book!!! It is NOT a science fiction book, but a real study manual!! Is a copy of an ancient manuscript translated and intended for a few connoisseurs, scholars, connoisseurs and researchers who deserve to have the opportunity to study a subject that is not lost! THEREFORE, THE BOOK FOR SALE IS AN ANASTATICA. Anastatic copies are reproductions, in black and white or in color, of rare books, used in place of the originals because they are no longer available or difficult to find. The volume produced is identical in content to the original: the size and type of paper used for printing can change. The typographical indications place of printing, etc. Are also those of the volume being reproduced, while the editorial notes relating to the new publisher are set apart. They are also called anastatic reprints or reprints. This item is in the category “Books, Comics & Magazines\Books”. The seller is “amira.di.transilvania” and is located in this country: IT.
  • Book Title: antique book ocult black magic
  • Ex Libris: Yes
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  • Series: magic occult dark grimoire antique book
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  • Format: Flexi Bound
  • this is original necronomicon translated: by dr. john dee occultist satanist paganist
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  • Character Family:: h p lovercraft necronomicon
  • Type: Manual
  • Publication Year: 2021
  • Personalise: Yes
  • Signed By: cagliostro
  • Publisher: copy from antique book
  • Genre: alchemy, kabbalah, cabalistic, kabala, Magic, occult, latin language, occultism, magic ritual, magick, witchcraft, esoteric, History, practical magic
  • Literary Movement: magic occult esoteric, Enlightenment, Medieval, Realism, occultism, esotericism, witchcraft, practical magic, antique book, antiquarian book, latin language, vatican archive, censored book, rare book
  • Era: 2000s
  • Narrative Type: Non-Fiction
  • Character: occult magic, magic, alchemy, antique alchemy, witchcraft, occultism, harry potter, esoteric book, antiquarian book, practical magic, alchemy book
  • Country/Region of Manufacture: Holy See (Vatican City State)
  • Features: 1st Edition, Abridged, Book Club Edition, Braille, Certificates of Authenticity (COA) Included, Collector’s Edition, Dust Jacket, Ex-Library, Manuscript, Flexi Bound, Gift Set, Illustrated, Large Print, Limited Edition, Numbered Copy, Professional Edition, Revised Edition, copy of original
  • Author: john dee h p lovercraft, secret societies, vatican, latin language, antique language
  • Book Series: necronomicon
  • Language: English, Hebrew, Latin
  • Intended Audience: Adults
  • Subjects: Mind, Body & Spirit
  • Original/Facsimile:: Facsimile-out of copyright
  • Personalisation Instructions: send me a message
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Antique book alchemy cabalistic magic occult grimoire manuscript latin language

Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula

Exposition-of-The-Four-Books-of-Sentences-of-Peter-Lombard-1498-Latin-Incunabula-01-lqyyExposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula

Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula
De ORBELLIS, Nicolaus (author). Expositio in quatuor libros Sententiarum Petri Lombardi. (Exposition of the four books of Sentences of Peter Lombard) Edited by Thomas Silvestris. Printed by Felix Baligault for John Richard. Paris, 10-12 October 1498. Offered for sale is a Latin incunabulum (a book printed before 1500). This is a 1498. Book of commentary on the classic medieval philosophical discourse, the Sentences of Peter. Printed in Paris in gothic type. Containing capital spaces with guide-letters. BMC VIII:174. 12047 – Not in BSB-Ink. This book has 366 of 392 leaves (732/784 pages). There are only two. Copies of this book listed in the World Catalog. Since the other copy is in the US Library of. Congress, this is the only copy held in private hands. I have been a collector of antiquarian and rare books for 40+ years. Consolidate and reduce the size of my collection. As I have bought books over such a long. Occasional old, near-contemporary marginal annotations and a few manicules are present. Throughout, some of these are faint. An old signature is present on the front flyleaf that. Ex libros SLB Beza. The title is inked at the head of the spine in a. Contemporary (or nearly so) hand. Bound in old, somewhat soiled vellum covering paste-paper boards. The top and bottom cords. That attach the text block to the boards and vellum were inserted through small incisions at the. Head and foot of front and back covers and are thus visible at these points. There is a single. Closed crack (less than 2.5cm/ 1 inch) in the vellum originating from the cord incision at the. Head of the front cover (pictured). The corners are a bit bumped and the vellum is a bit frayed. At the edges, though this is mostly at the front fore-edges. Vellum has slight wrinkling and. Occasional spotting that is clearly visible in the pictures provided. The vellum at the head and. Foot of the spine is bumped, enough so that the bottom cord is slightly exposed. Overall is in quite good condition, as it is still supple to the touch and in no danger of cracking at. The spine or elsewhere. The text block is tight with no shelf lean or cocking. The pages are trimmed somewhat close at. The top although this does not cut into any of the page headings or pagination. Does shave slightly into some of the old marginal notes that are hand-written. Bottom margins are much more generously sized. All of the marginal glosses are fully present. And not close to the page edges. Old damp-staining is seen occasionally throughout; this is. Mostly in the first few quires and a few pages towards the end. Pages are lightly yellowed from. Age-toning, this is not obtrusive. The edges of the text block were originally stained red. Although this is now only faintly visible. Quire n is loosely inserted. This appears to be the result. Of an error on the part of the binder. These six leaves have pin-prick stab holes in the first leaf. But there is no sign that this quire was ever sewn into the binding and these page edges are not. The binding was clearly executed without any of the missing leaves being present, as. There is no sign of leaves being removed after binding. Hole in blank bottom margin of ff. Old repairs to top corners of a few pages, with occasional loss of a few letters. Provided for further illustration of condition. This book lacks the first 3 signatures (24 leaves) and two additional leaves. Printed in 4 parts, as is uniformly so in consequence of the Sentences being published in 4. Paginated throughout as folios e. Xvii although this is an octavo printing with. Eight leaves per signature: ff. Lxxxiij (= 83)-[25] ff. Xxxviij (= 46)-[10] ff. Lviij (= 48)-[8] ff. 158-[12] ff. Lacking initial quires a-c8 of Part I = 24 ff. V7 and woodcut mark. On V8 of Pt. The concluding Tabula (10 leaves) and final printers leaf are present see. History of Peter Lombard. Peter Lombard was born to a poor family in 1196 in Lumellogno (near Novara), Italy. He likely obtained his early education at. The cathedral schools of Novara and Lucca, followed by further study at Bologna. Patronage of Otto, bishop of Lucca, and additional sponsorship and financial support from St. Bernard, Peter carried out further study at Rheims. A letter from St. Bernard to the Abbott. Gilduin of the monastery of St. Victor recommended Lombard for continuing studies in Paris. The letter indicates that this stay was intended to be limited in duration, per breve tempus. Usque ad Nativitatem Virginis, (for a brief period until the Nativity of the Virgin). Asserts that Peter was the brother of the canon lawyer Gratian of Bologna and the theologian. All evidence, however, indicates that these are untrue. Some information is available about Lombards scholarship in France and his relationship with. Other theologians as recorded by contemporaries and pupils. Prominent among these is John of. Lombard met Peter Abelard and Hugh of St. Victor two leading contemporary. Theologians and studied the lectures of Abelard while at Paris ca. Magister (professor) at the Cathedral School of Notre Dame in Paris ca. In 1148 he is. Known to have been in Rheims with Robert of Melun. While there he participated in theological. Discussions with Adam du Petit-Pont, Hughes of Amicus, Gilbert de la Porrée and others. A manuscript of the. Sentences dated 1158 still exists, but this work was certainly finished by about 1150. The immediate success of the Sentences was not universal and did create some controversies, a. Tribute to its recognized greatness is that he is called the “Magister Sententiarum”, or simply. The “Magister” even during his lifetime. Peter was named Archbishop of Paris in 1158 or 1159, although he held this office for only a. Short period of time. He was succeeded in 1161 by Maurice de Sully, who began construction of. The present Cathedral of Notre Dame. Although the exact date of his death is uncertain, it was. Not later than 1164. In the years immediately after there are records in the cartulary of Notre. His original manuscript of the Sentences. Is also noted as bequeathed by Stephen Langton Archbishop of Canterbury to the library of. The Four Books of Sentences (Libri Quattuor Sententiarum) is a book of philosophical and. It is a systematic compilation of theology; the title derives its name from. The sententiae, which are authoritative statements on biblical passages. The sentences are a. Compilation of extracts from the Bible, the Founding Fathers especially St. Other sources of theological authority. Lombard was the first scholar to successfully arrange. These materials in a systematic order. His genius in doing so comes also from his selection of. Critical passages, his thorough and critical application of existing theological scholarship, and his. Ability to reconcile apparently contradictory viewpoints in his analysis. After its composition, the Sentences became a standard work of theology throughout the. There is no work of Christian literature except for the Bible itself that has been. Commented upon more frequently. All the major medieval thinkers – Albert the Great, Thomas. Acquinas, William of Ockham, Gabriel Biel – were influenced by it. The influence of the. Sentences continued for centuries. Even the young Martin Luther wrote glosses on the. “Sentences” as part of his academic exercises. The four books of the Sentences are. This book discusses God, the Holy Trinity, Gods attributes, divine. Providence, predestination, and evil. This book covers creation, angels, demons, the fall from grace, and sin. Jesus the Savior of Fallen Creation. This book covers the Incarnation, the Redemption. The Sacraments and Gods Grace. This book deals with the sacraments in general, the. Seven sacraments in particular, the four final virtues, death, judgment, hell, and heaven. In a narrative that addresses a long series of questions, the Sentences covers the entire body of. Christian doctrine and unites it in a systematized whole. Towards the thirteenth century, the. Various books were divided into distinctions (pauses or divisions), though Lombard originally did. Nothing more than have the questions follow one another. In early manuscript form, these. Questions do not always bear the same title as later publication. The method and purpose of the Sentences reflects the state of scholarship and contemporary. Theological questions as of the time of its writing. The teaching or the laying down of. Unassailable doctrine from the Church authorities is comingled in the narrative with the. Freedom of thought and speculation arising from dialectics. Lombard steered a conciliatory. Course between these extremes. Although he admired Peter of Abelard, Lombard studiously. Avoids the angry pragmatism and controversial errors of doctrine espoused by his former. Lombard uses the Bible as the revealed word of God, but he also gives reason its due. Role in applying scripture to real life. In this he is a forerunner of Thomas Aquinas. Abelard, Gratian, Hugo of St. Victor, Ivo of Chartres, and Alger of Liege are chief sources for the. Theological foundations of Liber Sententiarum. Among the founders of Christianity St. Is quoted frequently as is Ambrose, Jerome, and Hilary. John Damascene is heavily quoted. Although the other Greek Fathers of the Church are rarely cited. The Sentences was not a significantly original work. It was openly intended to be mainly a. Whole “distinctions” have been traced to earlier sources; scarcely more than ten. Lines have been found to be completely original. Lombard makes clear that his plan was for the. Sentences to serve as a single, secondary source for many different earlier, scattered works. Yet, the Sentences has great merit. Lombard opposed the excesses of sheer rhetorical. Dialectics and well as the blind adoption of doctrine. He also rejects the arrogant separation of. He arranged traditional doctrines and theories in a system and. Summarized the controversies and range of opinions on theological questions. Solutions to many questions stimulated the thought of both students and fellow academics. Lombard was largely but not wholly an orthodox Christian. In many cases he does not propose. A final solution to controversial questions. The Sentences was not immediately adopted as a universal, standard text. Attacked during his lifetime and after his death, especially by Gautier of St. His proposition on “Christological nihilism” was condemned by Pope Alexander III. Bonaventure mentions eight additional theses that were later rejected by theologians. Lateran Council of 1215 an attempt was made to ban But the overall success of the Sentences. And its approach to theology was incontestable. The Sentences remained until the sixteenth. Century the standard text upon which each future doctor had to lecture during two years of. At the Fourth Lateran Council of 1215 a proposition was put forward to ban the Sentences as a. This attempt was roundly defeated however and the second canon began a. Profession of faith with the words: Credimus cum Petro [Lombardo]. Peter Lombards most controversial doctrine in the Sentences was the association of Charity. With the Holy Spirit. This is stated in Book 1 with distinction 17. When we love both God and. Our neighbor, this love literally is God or is of God. We are thus taken up into the life of the. Although this has never been formally declared against the orthodoxy of Christianity. Few theologians have been quite so audacious in association of the virtue of charity with the. Essence of God or the Trinity. Lombard also was the first to publish the standard Roman Catholic list of seven sacraments. To this time, anywhere from two to twelve sacraments had been proposed. Proposition of a perfect number of seven sacraments was rapidly accepted by theologians. Though not all immediately agreed to the same seven as proposed in the Sentences. Selection of the seven sacraments was defined as orthodoxy by the Council of Florence in 1439. Rarity of this Book. The World Catalog locates only two copies of this edition of the Sentences, one in the US. Not listed in the British Museum Catalog. No copies listed in the National. The item “Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula” is in sale since Sunday, July 11, 2021. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “fortujm” and is located in Silver Spring, Maryland. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay.
  • Year Printed: 1498
  • Modified Item: No
  • Country/Region of Manufacture: France
  • Topic: Religion
  • Binding: Vellum
  • Region: Europe
  • Author: Nichlaus De Orbellis
  • Subject: Philosophy
  • Personalized: Yes
  • Original/Facsimile: Original
  • Language: Latin
  • Signed: No
  • Publisher: Felix Baligault
  • Place of Publication: Paris
  • Special Attributes: Incunabula

Exposition of The Four Books of Sentences of Peter Lombard 1498 Latin Incunabula

1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense

1819-Roman-Gradual-Liturgical-Church-Old-Latin-Book-Catholic-Graduale-Lugdunense-01-gnp 1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense

1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense
YEAR 1819 – LYON. LATIN BOOK – 730 Pages. OLD BOOK with LEATHER COVER. Come from a private Collection in FRANCE. Gradual of King John I Albert of Poland. In the Wawel Cathedral. Graduale is a chant. Celebration of the Eucharist. In the Catholic Church. And among some other Christians. It gets its name from the Latin gradus (meaning “step”) because it was once chanted on the step of the ambo or altar. In the Tridentine Mass. It is sung after the reading or chanting of the Epistle. And before the Alleluia. Or, during penitential seasons, before the Tract. In the Mass of Paul VI. The Gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare. The Gradual is part of the Proper. Gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite. Is the Roman Gradual. (in Latin, Graduale Romanum). Other such books include the Dominican Gradual. Musical form and style. Excerpt from the manuscript of the gradual of the abbey of St. The Gradual, like the Alleluia and Tract, is one of the responsorial. Chants of the Mass. Responsorial chants derive from early Christian traditions of singing choral refrains called responds between psalm. According to the Catholic Encyclopedia. It (and the associated Alleluia or Tract) is the oldest of the chants of the Proper. Of the Mass, and, in contrast to the Introit. The only one that was not sung to accompany some other liturgical action, historically a procession. Until about the fifth century, it included singing a whole psalm. They were sung in the form of a psalmus responsorius , i. The whole text was chanted by a reader appointed for this purpose. For some time before Pope Gregory I. To sing these psalms was a privilege of deacons. At Rome, a privilege he suppressed in 595. The people answered each clause or verse with an acclamation. This apparently dates back to the synagogue. Originally, there was a psalm sung between each reading, of which in the fifth century there were three Prophets. When the Old Testament reading was later dropped, the other two psalms became the Gradual and Alleluia. The modern Gradual always consists of two psalm verses, generally (but not always) taken from the same psalm. There are a few Graduals that use a book of scripture other than the Psalms for example, the verse for the Feast of the Immaculate Conception. Is from the Book of Judith. , or even non-scriptural verses for example, the first verse in the Requiem Mass. The Gradual is believed to have been so named because it was sung on the step Latin. Gradus of the altar, or perhaps because the deacon was mounting the steps of the ambo. For the reading or singing of the Gospel. However, early sources use the form gradale (“graded” or “distinguished”), and the Alia Musica c. 900 uses the term antiphona gradalis for the Introit. The Gradual is to be sung after the reading of the Epistle. It is ordinarily followed by the Alleluia. But in Masses that have more readings than normal, such as during Lent. These may be separated by another reading, or, if there are more than three readings, there is more than one Gradual, and finally the Tract, to separate each reading. The Gradual is normally omitted, and a second Alleluia is sung in its place, except within the Octave. In what is now the ordinary form. Of the Roman Rite, the Responsorial Psalm. Normally takes the place of the Gradual, and is sung after the first reading, but it may be replaced by the Gradual. The celebrant himself reads the Gradual with the Alleluia, Tract, or Sequence. Immediately after he has read the Epistle, and at the same place, even if the choir sings it too. There is no rule for the distribution of its parts within the choir. All may be sung straight through by the whole choir, but it is more common to divide the texts so that some parts are sung by one or two cantors. A common arrangement is that the cantors sing the first words of the Gradual (to the asterisk in the choir-books), the choir continues, and the cantors sing the verse. Normally it is all sung to plainsong. In other churches and rites, there are fragments of the psalms once sung between the lessons that correspond to the Roman Gradual. Their placement and structure depend strongly on how many readings there are. In the Byzantine Rite. The reader of the epistle first chants “the Psalm of David” and then the Prokeimenon. Of the Apostle, both short fragments of psalms. Which has kept the older arrangement of three lessons, includes between each a fragment called the Saghmos Jashu (Psalm of dinnertime) and the Mesedi mesodion. , again a verse or two from a psalm. Use three verses of psalms each followed by three Alleluias (this group is called Zumara) after the Epistle. The present Ambrosian Rite. Sometimes has a Prophecy before the Epistle, in which case there follows the Psalmellus , two or three verses from a psalm, which corresponds to the Gradual. Has three lessons, with a psalm (Psallendo) sung between the first two. Among Protestant churches, Lutherans. Sing a Gradual either between the Old Testament and the Epistle or the Epistle and the Gospel readings during the Divine Service. Sanctissimus namque Gregorius , from the Vatican edition of the Graduale Romanum. The usual form of the Gradual is a single respond with a solo verse, although a final repetition of the respond was found up to the Renaissance and is still permitted by the Liber usualis. Graduals are among the most florid and melismatic. Of all Gregorian chants; Clamaverunt iusti , for example, has melismas with up to 66 notes. Graduals as a group are also notable for melismas that stress one or two pitches, both through repeated notes and repercussive neumes. Both the verse and the respond tend to be similar in style, excepting a tendency for the verse to have a higher tessitura. Like Tracts, most Graduals show clear signs of centonization. A process of composition in which an extended vocabulary of stock musical phrases are woven together. Some phrases are only used for incipits. Some only for cadences. And some only in the middle of a musical line. The Gregorian Graduals can be organized into musical families that share common musical phrases. Although nearly half of the Gregorian Graduals belong to a family of related chants in the fifth mode. The most famous family of Graduals are those of the second mode, commonly called the Iustus ut palma. Group after one representative chant. The Graduals of the Old Roman chant. Fall similarly into centonization families, including a family corresponding to the Iustus ut palma group. Graduals were among the parts of the Mass most frequently composed as organa. Including both the St. And the Notre Dame School. Ordinarily the parts that were sung by the soloist (the beginning of the respond and the verse) are the only parts so set, while the choral parts continued to be performed in plainsong. In 1198, Odo de Sully. Performances of Graduals, including Pérotin. S famous four-part organa. S Day and Viderunt omnes. Main article: Roman Gradual. The term “Gradual” (or Graduale) also refers to certain books compiling the musical items of the Mass. A Gradual is generally distinguished from the Missal. By omitting the spoken items, and including the music for the sung parts. It includes both the Ordinary. As opposed to the Kyrial. Which includes only the Ordinary, and the Cantatory. Which includes only the responsorial. Originally the book was called an antiphonale missarum Antiphonal. Graduals, like the later Cantatory, may have originally included only the responsorial items, the Gradual, Alleluia. Les pièces seront soigneusement emballées individuellement et protégées avec du film bulle et carton renforcé. Pour les pays autres que la France, envoi en recommandé avec assurance Ad Valorem à hauteur de la valeur de l’objet. All items will be securely packed, individually wrapped with acid-free silk paper, foam, bubble wrap and reinforced cardboard. MERCI DE POSEZ TOUTES VOS QUESTION AVANT DENCHERIR OU DACHETER. A moins que ce soit spécifié autrement dans la description, nos objets en vente sont doccasion. Par conséquent des traces dusage existent (aussi infimes soient-elles). Nous tenons à ce que vous portez attention et demandez toute information supplémentaire afin que vous soyez satisfait de votre achat. Nos objets sont vendus «à la description». En enchérissant/achetant, le futur acquéreur accepte quil a étudié les photos, lu la description avec attention et notre évaluation de nos objets. Nous décrivons le mieux possible nos objets avec des photos reflétant le plus la réalité. Dautres photos sont à votre disposition sur simple demande. Unless specified otherwise in the description, all our items are previously owned. There will be logical traces of usage, consistent with age and normal use. Please take note of this and ask any other information if you have further enquiries. We describe our items the best we can with pictures reflecting the condition as closely as possible. Other pictures are available on demand. The item “1819 ROMAN GRADUAL LITURGICAL CHURCH OLD LATIN BOOK CATHOLIC GRADUALE LUGDUNENSE” is in sale since Monday, September 21, 2020. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “lagaleriedelalpe” and is located in Huez. This item can be shipped worldwide.
  • Year Printed: 1819
  • Modified Item: No
  • Country/Region of Manufacture: France
  • Topic: Catholicism
  • Binding: Leather
  • Region: France
  • Subject: Religion & Spirituality
  • Original/Facsimile: Original
  • Language: Latin
  • Publisher: Church
  • Place of Publication: Lyon
  • Special Attributes: Collector’s Edition

1819 Roman Gradual Liturgical Church Old Latin Book Catholic Graduale Lugdunense