https://limitededitionbook.com Mon, 27 Apr 2026 05:46:33 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://limitededitionbook.com/2026/03/02/aleister-crowley-key-of-the-mysteries-fine-binding-eliphas-levi-occult-rare/ https://limitededitionbook.com/2026/03/02/aleister-crowley-key-of-the-mysteries-fine-binding-eliphas-levi-occult-rare/#comments Mon, 02 Mar 2026 16:50:51 +0000 https://limitededitionbook.com/2026/03/02/aleister-crowley-key-of-the-mysteries-fine-binding-eliphas-levi-occult-rare/ Read more]]>







KEY OF THE MYSTERIES. From the original French by. Aleister Crowley around the time. Of his first publishing Levis text. In the occult periodical. The French Mage Eliphas Levi. Aleister Crowley believed himself to be the reincarnation of Eliphas Levi and and Egyptian Priest called Ankh-f-n-Khonsu. Levis work’The Key of the Mysteries’ was regarded by Crowley as a masterpiece, in fact as the work of an adept so advanced as to credit Levi with the grade of Adeptus Exemptus. Aleister Crowleys translation, being himself an advanced occultist and of a far superior mind than any other mere translator, may be regarded as a masterpiece of a masterpiece.

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66 of 504 copies. 1981 signed limited edition from John Mitchell on the British’Earth Mysteries’ movement and the radical counterculture of the 1960s. A small press publication that sits between fringe archaeology and sacred geometry this book is a manifesto for a growing community of dowsers, ley-line hunters, and alternative historians reflecting a post-war yearning to reconnect with a’lost’ national identity rooted in the landscape. ANCIENT METROLOGY: The Dimensions of Stonehenge and of the Whole World as Therein Symbolised. White DJ over brown cloth. Size: 19.5 cm by 13 cm. Sharp corners, edges and spine ends. Light marks to lower front margins. Tightly bound with clean intact endpapers and strong hinges. Prev owners name to ffep’C. Light wear and creasing to upper and lower edges. Lightly toned spine and exposed margins. Ancient Metrology explores the hypothesis that ancient monuments and landscape alignments encode a system of measurement that reflects a universal metrological tradition. Michell outlines precise ancient units of length inferred from Stonehenge and other monuments, positing that such measures were applied consistently from Britain to the Parthenon and Egyptian pyramids, and that these units relate symbolically and mathematically to the dimensions of the Earth itself. The text presents tables, diagrams, and measured data to support a claim that prehistoric builders understood and embedded “canonical” measures within sacred architecture, raising questions about the origins, dissemination, and decline of this purported ancient science. The limited edition of 504 copies is signed and numbered by the author. His work fused measurements of ancient sites, landscape symbolism, and esoteric traditions, helping to catalyse interest in ley lines and prehistoric metrology. Michell’s early success with The View Over Atlantis (1969) helped define the earth mysteries genre, inspiring subsequent works that examined symbolic geometry, Earth energetics, and sacred landscape interpretation. His bibliography includes Ancient Metrology (1981), Megalithomania (1982), and The Dimensions of Paradise (1988), among others that explore prehistoric cosmology, sacred numbers, and symbolic measurements.

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Madder Mysteries by Reggie Oliver Presentation copy inscribed and signed twice by the author – on the half-title page he has inscribed and signed the book, while on the title page he has simply signed his name (without dedication);'”Madder Mysteries” is limited to 400 copies’ published by Ex Occidente Press, Bucharest, Romania in 2009 and illustrated by both the author and by his late wife Joanna Dunham, 242pp. No dust jacket as issued? , text generally in decent order albeit with just a hint of browning to pages and very slight creasing to the top corners of some of the pages, very slight staining & marking to the half-title & title pages, slight staining & rubbing to the page extremities at the very top, side and bottom, spine slightly cocked and front board slightly warped, bumping and rubbing to board corners, slight bumping and rubbing to the top, bottom and sides of boards – heavier to the top of the spine & heavier still to the base (most noticeably to the bottom left hand side of the base), including to the front top and bottom left hand/rear top and bottom right hand corners, some bumping to spine edges on front and rear, both boards & spine are a bit marked and bumped. Reggie Oliver (born 1952 in London) is an English playwright, biographer and writer of ghost stories.

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