JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT

JOAN-MITCHELL-A-Survey-of-Works-on-Paper-1956-1997-Book-2007-OUT-OF-PRINT-01-soh JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT

JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT
JOAN MITCHELL: A Survey of Works on Paper, 1956 – 1992. Beautiful OUT-OF-PRINT Oversized Monograph. By Steidl, Gerhard Druckerei und Verlag, Gottingham, Germany, in cooperation with Cheim & Read Gallery, New York and The Joan Mitchell Foundation, New York, 2007. Introduction by John Yau. Edited and designed by John Cheim. Hardbound, 160 pages, 86 colour plates. Dimensions: 13″ x 10-1/4″ x 3/4 (26.6 cm x 33 cm). Limited edition of 2500 books published on the occasion of the exhibition, Joan Mitchell: Works on Paper 1956 – 1992′, Cheim & Read Gallery, New York, 5/10 – 6/16/2007. BRAND NEW / Sealed. This is the first comprehensive survey of Joan Mitchells works on paper. Mitchell called herself a visual painter, to distinguish her work from that survey of the Pop, Minimal and Conceptual painters of her own and younger generations. Drawing on remembered images of landscape that she carried with her , Mitchell was not content to make pretty abstractions but challenged herself and the viewer with paintings that sometimes could seem deliberately provocative, pushing the limits of her own sense of beauty. As a non-ironic, dyed-in-the-wool abstractexpressionist, she worked in an idiom that was well established when she began, and was subsequently considered passé by some, as was painting itself. In this sense, her achievement has rightly been compared to that of Soutine and late Bonnard, artists who also did not innovate formally but found greatness by working within an existing painterly language and using it to explore and expand personal territory. Joan Mitchell was a’ Second Generation’ Abstract Expressionist painter. Along with Lee Krasner, Grace Hartigan, and Helen Frankenthaler she was one of her era’s few female painters to gain critical and public acclaim. Mitchell received her BFA and MFA from the School of the Art Institute of Chicago before establishing herself as a formidable talent in postwar New York’s avant-garde scene. In 1951, her work was exhibited alongside that of Jackson Pollock, Willem de Kooning, and Hans Hoffman in the celebrated. , which marked the ascendancy of Abstract Expressionism within the development of modern art. Exemplifying the ideals of the New York School, Mitchell’s paintings wager all on the expressive potential of the painterly mark itself, freed from the constraints of traditional representation. Given the macho posturing for which the movement’s adherents have earned a reputation almost all of them were men Joan Mitchell’s prowess in this milieu is all the more remarkable. She has since been the subject of numerous museum exhibitions, and examples of her paintings and editioned prints hang in nearly all major public collections of modern art. Mitchell left New York and the United States for France in 1959. After spending the better part of a decade in Paris, she relocated to Vétheuil, France in 1968, a town on the Seine about 40 miles north of the capital. There in her studio she embarked upon a body of work whose subject matter derives from the sunflowers and natural beauty that thrive in the golden sunlight of the Seine valley. She would return to this source material periodically throughout the rest of her career. This series of stamps honors the artistic innovations and achievements of 10 abstract expressionists, a group of artists who revolutionized art during the 1940s and 1950s and moved the U. To the forefront of the international art scene for the first time. The stamps went on sale March 11, 2010. SELECT RECENT SOLO EXHIBITIONS. Joan Mitchell: Fierce Beauty. , San Francisco Museum of Modern Art (SFMoMA), San Francisco, CA. Joan Mitchell: Worlds of Colour. , National Gallery of Australia (NGA), Canberra, Australia (10/17/2020 – 4/30/2021). , Baltimore Museum of Art (BMA), Baltimore, MD (9/13 – 12/13). Joan Mitchell and Grace Hartigan at Tiber Press. (group exhibition), Anders Wahlstedt Fine Art, New York, NY (2/11 – 3/27). Sparkling Amazons: Abstract Expressionist Women of the 9th St. (group exhibition), Katonah Museum of Art (KMA), Katonah, NY. Joan Mitchell: I carry my landscapes around with me. Epic Abstraction: Pollock to Herrera. (group exhibition), Metropolitan Museum of Art (Met), New York, NY. Mitchell / Riopelle: Nothing in Moderation. , Fonds Hélène & Édouard Leclerc pour la Culture, Landerneau, France. Joan Mitchell: Paintings from the Middle of the Last Century, 19531962. , Cheim & Read Gallery, New York, NY. (group exhibition), Yokohama Museum of Art, Yokohama, Kanagawa, Japan. (group exhibition), Museum of Modern Art (MoMA), New York, NY. (group exhibition), Nagoya City Art Museum, Nagoya, Japan. Hot Sun, Late Sun: Untamed Modernism. (group exhibition), Fondation Vincent van Gogh, Arles, France. The Water Lilies: American Abstract Art and the Last Monet. (group exhibition), Musée de lOrangerie, Paris, France. , Art Gallery of Ontario (AGO), Toronto, Canada. , Musée National des Beaux-arts du Québec, Canada. Women of Abstract Expressionism. (group exhibition), Whitechapel Gallery, London, UK. Making Space: Women Artists and Postwar Abstraction. (group exhibition), Palm Springs Art Museum, Palm Springs, CA. Nothing and Everything: Seven Artists, 1947 1962. (group exhibition), Hauser & Wirth, London, UK. Joan Mitchell: Drawing into Painting. Cheim & Read Gallery. (group exhibition), Mint Museum, Charlotte, NC. (group exhibition), Denver Art Museum, Denver, CO. Joan Mitchell : Retrospective – Her Life and Paintings. Museum Ludwig, Cologne, Germany. Joan Mitchell: At the Harbor and in the Grande Vallée. Edward Tyler Nahem Fine Art, New York, NY. Joan Mitchell: Retrospective – Her Life and Paintings’, Kunsthaus Bregenz, Austria. Figure Ground: Joan Mitchell, Willem de Kooning and Raoul Hague. Joan Mitchell: The Sketchbook Drawings. , Museum Folkwang, Essen, Germany. Joan Mitchell: The Black Drawings and Related Works 1964 1967. Hans Hofmann – Joan Mitchell – Sam Francis’, Galerie Thomas Modern, Munich, Germany. , Galerie Max Hetzler, Berlin, Germany. 2012′ Elles: Women Artists from the Centre Pompidou, Paris’ (group exhibition), Seattle Art Museum, Seattle, WA’ Contemporary Prints by American Women: A Selection from the Gift of Martha and Jim Sweeny’ (group exhibition), Museum of Fine Arts, St. Petersburg, FL’ Joan Mitchell: The Last Decade’, The Butler Institute of American Art, Youngstown, OH’ Joan Mitchell: The Last Paintings’, Hauser & Wirth, London, UK. 2011′ Joan Mitchell: The Last Paintings’, Cheim & Read Gallery, New York, NY’ No Rules: East 9th Street Revisited, 1951 – 2011′ (group exhibition), Dorian Grey Gallery, New York, NY’ Joan Mitchell: Paintings from the Fifties’, Lennon, Weinberg, Inc. New York, NY’ Tibor de Nagy Gallery Painters and Poets’ (group exhibition), Tibor de Nagy Gallery, New York, NY’ Willem de Kooning & Joan Mitchell: Editions’, Mary Ryan Gallery, New York, NY. 2010′ Joan Mitchell: The Last Decade’, Gagosian Gallery, Beverly Hills, CA’ Abstract Expressionist New York’ (group exhibition), Museum of Modern Art (MoMA), New York, NY’ Joan Mitchell’, Inverleith House, Edinburgh, Scotland’ Le Tableau: French Abstractions and its Affinities’ (group exhibition), Cheim & Read Gallery, New York, NY’ Monet and Abstraction’ (group exhibition), Musée Marmottan Monet, Paris, France’ Le grand geste! Joan Mitchell: A Discovery of the New York School. New York, NY’ Significant Form, The Persistence of Abstraction’ (group exhibition), Maly Manege State Exhibition Hall, Moscow, Russia’ Monet, Kandinsky, Rothko and the Aftermath: Paths of Abstract Painting’ (group exhibition), BA-CA Kunstforum, Vienna, Austria’ Action Painting’ (group exhibition), Beyeler Museum, Basel, Switzerland’ Empires and Environments’ (group exhibition), Rose Art Museum of Brandeis University, Waltham, MA. 2007′ Abstract Expressionist Prints’ (group exhibition), Worcester Art Museum, Worcester, MA’ The Passionate Gesture Works’ (group exhibition), Hackett-Freedman Gallery, San Francisco, CA’ Joan Mitchell: Leaving America’, Hauser & Wirth, London, UK’ Joan Mitchell: Works on Paper 1956 – 1992′, Cheim & Read Gallery, New York, NY’ Joan Mitchell: The Last Prints’, Susan Sheehan Gallery, New York, NY. West Palm Beach, FL’ Joan Mitchell: Prints from the Foundation’, Susan Sheehan Gallery, New York, NY. 2005′ Joan Mitchell: Frèmicourt Paintings 1960-61′, Cheim & Read Gallery, New York, NY’ Joan Mitchell: Sketchbook 1941 – 1951′, Francis M. Naumann, New York, NY’ Quartet: Johns, Kelly, Mitchell, Motherwell’ (group exhibition), Walker Art Center, Minneapolis, MN. 2004′ Joan Mitchell Larger than Life: Lithographs from the 1980s and 1990s’, Mary Ryan Gallery, New York, NY’ The Paintings of Joan Mitchell’, The Phillips Collection, Washington, DC. 2003′ The Paintings of Joan Mitchell’, Modern Art Museum of Fort Worth (MAMFW), Fort Worth, TX’ The Paintings of Joan Mitchell’, Birmingham Museum of Art, Birmingham, AL. 2002′ The Paintings of Joan Mitchell’, Des Moines Art Center, Des Moines, IA’ The Paintings of Joan Mitchell’, Whitney Museum of American Art, New York, NY’ Joan Mitchell: Petit’, Lennon, Weinberg, Inc. New York, NY’ Joan Mitchell: The Presence of Absence’, Cheim & Read Gallery, New York, NY’ Joan Mitchell: Working with Poets’, Tibor de Nagy Gallery, New York, NY. PLEASE SEE MY OTHER AUCTIONS BY CLICKING MY. The item “JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT” is in sale since Thursday, May 26, 2016. This item is in the category “Books\Nonfiction”. The seller is “thearteryfineart” and is located in Miami, Florida. This item can be shipped worldwide.
  • Country/Region of Manufacture: Unknown
  • Topic: Catalogs & Exhibitions
  • Format: Hardcover
  • Author: John Yau
  • Subject: Art & Photography
  • Publication Year: 2007
  • Language: English
  • Special Attributes: 1st Edition
  • Modified Item: No

JOAN MITCHELL A Survey of Works on Paper, 1956-1997 Book 2007 OUT-OF-PRINT